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Reflections Interviews, Scores, Writings

Reflections Interviews, Scores, Writings

9783981331974 (H)
  • 3. erweiterte Auflage Contents
  • Prefaces
  • Pauline Oliveros: Poet of Electronic Music
  • James Tenney: The Eloquent Voice of Nature
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Details für "Reflections Interviews, Scores, Writings"
  • 3. erweiterte Auflage Contents
  • Prefaces
  • Pauline Oliveros: Poet of Electronic Music
  • James Tenney: The Eloquent Voice of Nature
  • Interviews with Douglas Simon
  • . . . to let alpha be itself. Music for Solo Performer
  • . . . and listen to the ocean again. Chambers
  • Taking Slow Audio Photographs of the Space. Vespers
  • Every room has its own melody. I am sitting in a room
  • Imitating One Set of Sounds with Another. (Hartford) Memory Space
  • A Metaphor for Ones Life. Quasimodo the Great Lover
  • Composite Identities. The Duke of York
  • Imaginary Imagery. Gentle Fire
  • Seeing Sound. The Queen of the South, Tyndall Orchestrations
  • Making Audible That Which Is Inaudible. Still and Moving Lines of Silence in
  • Families of Hyperbolas
  • Do you know how robins turn their heads to listen? Outlines of Persons and
  • Things, Bird and Person Dyning
  • The Poetry of Science. Music on a Long Thin Wire
  • Sound Shadows. Directions of Sounds from the Bridge
  • Interviews with Daniel Wolf
  • The gods appear out of nowhere. Crossings, Nothing is Real
  • The sound melts into the environment. Fragments for Strings, Navigations for
  • Strings
  • The simple is the difficult. Panorama, Six Geometries
  • Conversations
  • Creating a new kind of a music for me (Barney Childs)
  • . . . when you stutter, you scan the language (Walter Zimmermann)
  • With and without a purpose (Robert Ashley)
  • Discovery is part of the experience (William Duckworth)
  • Im cutting things down to their simplest form (James Tenney)
  • The form of the piece is a search (Arne Deforce)
  • You never know whats going to happen (James Saunders)
  • About Own Work
  • Music for Solo Performer 1965
  • The Making of North American Time Capsule
  • Program Proposal for Pepsi-Cola Pavilion
  • The Propagation of Sound in Space
  • The Tools of My Trade
  • Clocker
  • Sferics
  • Seesaw
  • Wall with Vertical Slit
  • Sound on Paper
  • Pasta for Tired Dancers
  • Thoughts on Installations
  • Skin, Meat, Bone
  • String Quartets
  • Origins of a Form
  • My Affairs with Feedback
  • Fruits and Vegetables
  • About Others
  • A Letter to Frederic Rzewski
  • An Open Letter to the Artistic Director of the Ojai Music Festival
  • I Remember Morty
  • Collaborations with John Cage
  • Soba
  • The Sonic Arts Union
  • Avant-garde and Experiment
  • The Future of Our Music
  • Preface to Robert Ashleys book Outside of Time
  • Notes on Verbal Notation
  • The Local is the Universal
  • In Memoriam David Tudor, Robert Ashley, Reinhard Oehlschlägel, Pauline
  • Oliveros
  • Scores
  • Music for Solo Performer
  • Shelter
  • Chambers
  • Vespers
  • The Only Talking Machine of Its Kind in the World
  • I am sitting in a room
  • (Hartford) Memory Space
  • Hymn
  • Quasimodo the Great Lover
  • The Duke of York
  • Gentle Fire
  • The Queen of the South
  • Tyndall Orchestrations
  • Still and Moving Lines of Silence in Families of Hyperbolas
  • Outlines of Persons and Things
  • Bird and Person Dyning
  • Music on a Long Thin Wire
  • Directions of Sounds from the Bridge
  • Ghosts
  • Words on Windy Corners
  • Lullaby
  • Music for Pure Waves, Bass Drums and Acoustic Pendulums
  • Risonanza
  • Precious Metals
  • Attaché Case
  • Silver Streetcar for the Orchestra
  • Carbon Copies
  • Music for Snare Drum, Pure Wave Oscillators and One or More Reflective
  • Surfaces
  • Indian Summer
  • Music for Cello with One or More Amplified Vases
  • Music for Piano with Half-closed Lid
  • Empty Vessels
  • Program and Liner Notes
  • Partita, Fragments for Strings, Action Music
  • Music for Solo Performer
 
  • Vespers
  • (Hartford) Memory Space
  • I am sitting in a room
  • Quasimodo the Great Lover
  • The Queen of the South
  • RMSIM 1
  • Still and Moving Lines of Silence in Families of Hyperbolas
  • Bird and Person Dyning
  • Music on a Long Thin Wire
  • Shapes of the Sounds from the Board
  • Music for Pure Waves, Bass Drums and Acoustic Pendulums
  • Sferics
  • Crossings
  • Seesaw
  • Spinner
  • In Memoriam Jon Higgins
  • Serenade (1985)
  • Septet
  • Homage to James Tenney
  • Kettles
  • Fideliotrio
  • Silver Streetcar for the Orchestra
  • Self-Portrait
  • Nothing Is Real
  • Music for Piano with Amplified Sonorous Vessels
  • Amplifier and Reflector One
  • Navigations for Strings
  • Possible Time and Motion Reversals
  • Music for Piano with One or More Snare Drums
  • Music for Piano with Slow Sweep Pure Wave Oscillators
  • Six Geometries
  • Sol 432
  • StacksMusic for Piano with Half-closed Lid
  • In Memoriam Stuart Marshall
  • Serenade (1993)
  • Panorama
  • Serenade (1994)
  • Wind Shadows, Distant Drums, Music for Gamelan Instruments Microphones,
  • Amplifiers and Loudspeakers
  • Disappearances
  • The Sacred Fox
  • Spira Mirabilis
  • Spider Paths
  • Two Stones
  • Unamuno
  • Night Sounds with Flame
  • Sierpinski Lines
  • Chinese Space
  • Theme
  • Music for Piano with Magnetic Strings
  • Still Lives
  • Sound on Glass
  • Empty Vessels
  • Small Waves
  • Opera with Objects
  • Wave Painting Songs
  • Heavier than Air
  • On a Carpet of Leaves Illuminated by the Moon
  • Piper
  • Ovals
  • Almost New York
  • Ever Present
  • Charles Curtis
  • Fan
  • Tapper
  • Coda Variations
  • Man Ray
  • Twonings
  • Broken Line
  • Bumps
  • Slices
  • Trio for Clarinet Cello and Six-valve Tuba
  • Miniature
  • ICEcles
  • Check
  • Two Circles
  • Braid
  • Codex
  • Criss Cross
  • Palimpsest
  • Shadow Lines
  • Orpheus Variations
  • Hanover
  • Gondola
  • Audibles
  • Love Song
  • Sickle
  • Double Helix
  • V
  • Flight Paths
  • Tilted Arc
  • Corner Church and High
  • Monteverdi Shapero
  • Halo, Bone Moon
  • Arrigoni Bridge
  • Flips
  • Key West
  • Three Cardboard Boxes
  • List of Works
  • Text Credits
  • Photo Credits
  • Index of Names

Besetzung: Musikbücher, Musikwissenschaft
Schwierigkeit: 0
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