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verschiedene Instrumente (Set)
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- full score Critical Commentary, Fascicles 1 and 2
- The Montpellier Codex is the largest and most sumptuous extant manuscript of thirteenth-century polyphonic music. The works it contains represent the music of the entire thirteenth century, and perhaps that of the late twelfth century as well. Inspired by Yvonne Rokseths earlier transcriptions, the present edition draws on nearly four decades of subsequent research to offer improved readings of many motets, and comprehensive collation and analysis of all concordances. The musical transcriptions are included in parts IIII, part IV provides text commentary and translations, an index of first lines, and guides to pronunciation.
- 1. Conductus: Deus, in adiutorium / In te, Christe, credentium
- 2. Hocket-Motet: Ja n'amerai autre que / In seculum (music by a Spaniard)
- 3. Hocket-Motet: Ja n'amerai autre que / In seculum (music by a Spaniard)
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- full score Part 1
- Fascicle 1
- 1. Conductus: Deus, in adiutorium / In te, Christe, credentium
- 2. Hocket-Motet: Ja n'amerai autre que / In seculum (music by a Spaniard)
- 3. Hocket-Motet: Ja n'amerai autre que / In seculum (music by a Spaniard)
89,00 € *
- full score The Montpellier Codex is the largest and most sumptuous extant manuscript of thirteenth-century polyphonic music. The works it contains represent the music of the entire thirteenth century, and perhaps that of the late twelfth century as well. Inspired by Yvonne Rokseths earlier transcriptions, the present edition draws on nearly four decades of subsequent research to offer improved readings of many motets, and comprehensive collation and analysis of all concordances. The musical transcriptions are included in parts IIII, part IV provides text commentary and translations, an index of first lines, and guides to pronunciation.
- Fascicle 6, Section 1
- 178. La bele m'ocit, Dieus! / In seculum
- 179. D'amors me lo nuit et lour / Hodie
- 180. A tort sui d'amours blasmee / Immolatus
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